A daughter who is jia 嫁 is out of the house is gone forever, water poured out of a bucket, never whole, never yours again.
I remember the day Mom said “stage IV metastatic,” so now I need a show with forty seasons.
In Taipei, my disengagement with the silk scrolls wasn’t random. It was learned.
I’ve published articles on examining the archive’s margins and gaps to recover women’s stories, but that won’t help me understand that girl who left her family when she could no longer live in shame.
“Juice” had the type of lyrics that forced me out of my solitude, whether I wanted to be out of it or not.
That first time I heard it, the music was so catchy and the words were so ridiculous that I threw my head back and laughed. I opened the curtains that had been closed for a month.
When I walk to the train, my shadow falls wider, and I like that I’m taking up more space.
“What do we want? Livable lives. Thriving communities. The right to our bodies and our desires. Love. Resilience. Possibility. Queer genius.”
To cope with pain, and prepare for parenthood, I had to learn how to breathe. To breathe, I needed more than air.
Morisot’s paintings of women up close lined the walls, a pastel perspective at vanity tables and in gardens. My breath rushed in: beautiful.