“The Community Is Hurting”: Why We Need to Talk About Colorism and Bias in Asian American Communities
It feels jarring to deal with “model minority” stereotypes in non-Asian American spaces while facing negative stereotypes within some Asian ones.
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The Black Notebooks
Psychology Today
Find my axis.Can you feel where I’m distributing my weight? Push me with your torso; it tells me what to do.
“Monique, your experiences belong to you,” my writing mentor tells me. “No one can tell you what did or didn’t happen.”
Around the room, the other mentees nod. I am at a prestigious writing workshop for people of color and have spent the whole week feeling anxious about a particular paragraph in my story, one discussing the colorism my protagonist faces. When no one brings it up in workshop, I ask about it, and my mentor understands I am searching for validation. What she knows I need to do, instead, is to trust myself.
The lesson she teaches me is a simple one, one that unravels the many conversations Joanna and I had, each of us relying on the other’s assurance of what does and doesn’t count as racism or violence. The lesson comes at the perfect time, as well as a year too late—my last conversation with Joanna happened long before this workshop. She told me my experiences and fears within the Asian American community are products of self-hatred that has gone too far. She called my anger a form of internalized racism that comes from a place of confusion, untreated depression, and a colonized mindset. She made me feel like a traitor to my race.
In her words, I could sense her defense of her hard-working immigrant mother, her past fears that she couldn’t live up to the East Asian beauty standards and top scores of the other students at her Chinese school, her pride in the progressive Asian American friends she’s made now, the solidarity and safety she sees within the community and the history of violence against it. “Why do you think you’re special?” she demanded.
What Joanna didn’t and probably still doesn’t realize is that I am not claiming a special status—that I desperately wish I could believe in the same community she sees. In this dance of ours, she has always led. There was never a time when she gave me space to make any moves of my own—there was never a way to tell her about my experiences, because some of them point to real issues in the community that she doesn’t want to see. She “won” all of our arguments because my pain doesn’t exist to her. This is why our friendship ended.
Space should be created in which we address intra-community issues like these, to make sure we don’t perpetuate harmful behavior.
Two years later, when Celeste Ng writes an article for The Cut about the harassment she receives, I feel a strange sense of recognition and relief when she shares how she, too, is called “self-hating” because she married a white man. She mentions there is “the instinct to close ranks” within the community to portray an image of strength, but that “empathy and thoughtful conversation must be the goal”—and that failing to address certain issues within the community can make it a toxic space. As I read this, the fear I’ve held, the anger that Joanna wanted me to keep in check, the alienation from wondering if I was just imagining my trauma—all of these emotions crash down on me like a thunderstorm.
I keep searching for other writing, other moments in which I can see my experiences reflected and my feelings affirmed, wondering where these discussions were when I needed them. After the actress Issa Rae was criticized by some for writing, in The Misadventures of Awkward Black Girl, “I propose that black women and Asian men join forces in love, marriage, and procreation . . . I’m not talking about Filipinos; they’re like the blacks of Asians,” Anthony C. Ocampo said that Rae was “satirically conveying the truth that we all know: that Filipinos are, at best, a marginalized segment of the Asian American collective, especially when it comes to representation.” In novelist Elaine Castillo’sElectric Literature essay on finding representation in her childhood through anime, Castillo mentions that the East Asian students at her school were “some of the first people I ever heard refer to Filipinos by the n-word.”
I feel the same relief reading these accounts as I did with Ng’s essay—relieved that someone else has put words to pain I have felt. At first, I feel guilty for not taking my writing mentor’s lesson to heart immediately, using these newfound accounts as a way to build trust in my own experiences. But slowly, I stop denying the validity of my own perspective, learning that many of my Asian American friends and other friends of color are supportive, share similar beliefs, and know it’s long past time to have these nuanced, critical discussions within our communities.
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I can no longer ignore it when, at the end of the tango session, my partner and I stand facing each other by the snack table, no space between us, and the East Asian woman tries to squeeze through us headfirst as though she’s parting water; as though we aren’t having a close, private conversation.
In a few weeks, I’ll ask my partner if he remembers this couple—the way they took up our space, the way they tried to steamroll over me and control how I moved on the dance floor. But then I’ll catch myself: Whether or not he remembers it, I know it happened, and I trust myself to judge my pain and my experiences clearly.
It is important to have these conversations within our community. Space should be created in which we address intra-community issues like these, to make sure we don’t perpetuate harmful behavior. But for now, in the dance studio, my partner and I stay in our places and grin at each other, our bodies creating an immovable roadblock. In my peripheral vision, I see the woman’s confused eyes turn downward as she steps to the side of me, picks her way carefully around the white couples, and walks out the door. For a split second, I pity her for wanting to feel powerful at the expense of others.
Monique Laban is a writer from New York. Her work has appeared in JoySauce, The Offing, Clarkesworld, The Florida Review, Electric Literature, and elsewhere. She is a 2022 Hedgebrook writer in residence.