“Both non-humans and human Others were represented as being fit to be ‘subdued’ (a word that recurs often in colonial texts).”
“What would it look like for a person—one who is a disaffected millennial—to look for her soul in her body? That’s the question I wanted to write toward.”
In the second installment of her column, Megan Pillow examines a short story by Carmen Maria Machado to demonstrate how some of the best examples of contemporary writing craft can be found in writing about sex.
Actors studied movement, script analysis, emotional connection, our bodies, our voices. In my writing MFA, we got . . . workshop.
I wanted the dullest, most mindless job possible. I wanted all the stress to vanish. Maybe, if I had the freedom to think about nothing, I could write again.
“I know that when I’m really writing, when I’m really, really lost in a sentence, I forget I have a body, I forget what time is. I forget to eat.”
You can study all you want, but it’s only in the act of doing that you learn what’s right and what isn’t.
Read a conversation with Angel Nafis and Alexis Aceves Garcia and discover poems from our 12-Month Poetry Generator students in this publication showcase.
“That is, my nonfiction isn’t any more ‘real’ than my fiction.”
Where Toni Mirosevich writes.