“I love writing. I really do. Even though I often hate it at various points in the process. Learning to accept that has been so important to me.”
“It’s taken me fifty-three years to be able to understand how to say what I want, or say who I am, or say what I believe.”
“For me, getting better as a writer is learning how to get to the essence of things and boil down all of that exposition and backstory.”
Nonfiction writers can get so consumed by investigating that we lose track of the story. Narrating my audiobook brought me back to the real person at the heart of it.
I expected that inhabiting the roles of both the author and the narrator at once would bring me closer to the text than ever, in a way that might feel uncomfortable.
“Comics made the confusion and desperation feel contained. By ‘contained’ I don’t mean controlled—more the feeling of ‘I can deal with this piece of my grief, explore it, turn it around, and add context to it.’”
“I think I’m trying to reconcile the need to write and have a deadline with the need to be a human? And right now, the human is winning.”
Contributing to the small body of trans-narrated, trans-written audiobooks felt both personally affirming and politically necessary.
In the final installment of her column, Kate McKean tells us about the things authors don’t expect to be in a book contract.
Jessica Wilbanks discusses the craft choices Niki Herd made while writing her poem “Bird.”