The Civil Rights Activist Whose Unique Spirituality Helped Me Find My Own
After I left my family’s religion, I was, for better or worse, searching for a blueprint, a model I could trust, which felt familiar enough to be safe, yet bold enough to be revolutionary.
didn’t
fake-it- until-you-make-it
If I was willing to betray the code which united us, what new thing was worth the pain I had caused?
did
the attribution of a living soul to plants, inanimate objects, and natural phenomena;
the belief in a supernatural power that organizes and animates the material universe.
In my imagination, I felt the expansiveness of my spirituality. On the outside, I felt ashamed that my beliefs had no label, that I couldn’t claim a group. Rosemarie’s beliefs were global and represented different cultures, while still honoring her ancestry. To me, it seemed that she had figured it out: that spirituality could be many things at once, that it could encapsulate all the things you loved, all the things which interested and delighted you, that it could be unique and personal, and that if your life embodied it, it didn’t always need a name.
I had been taught religion was restrictive, though I knew intuitively that it could be freeing, and now there was Rosemarie confirming my intuition.
*
Rosemarie passed in 2004, almost a decade before I heard of her. But when I spoke to her daughter, Rachel Harding, an associate professor of Indigenous Spiritual Traditions at the University of Colorado Denver, in a phone conversation last fall, I knew that her legacy was more than just the book I found in the library.
After completing a PhD focusing on Afro-Atlantic religions, Rachel found that Condomblé, a religion created in Brazil by enslaved Africans using the cosmology of indigenous West African religion, embodied the type of inclusivity and warmth that characterized her mother’s spiritual life.
“Whatever I call religion is this inclusive, Christian, Indigenous, Black, Southern cosmology of compassion and connectedness,” Rachel once wrote in an essay for an anthology called Faith, Feminism, and Scholarship: The Next Generation.
When Rachel finished her doctorate, she worked as Rosemarie’s assistant while Rosemarie did a fellowship at Radcliffe College, where they began to collect the material that would become Remnants. The next year, they returned to Denver, and Rachel worked with Veterans of Hope, a project which her parents founded that recorded the stories of living figures from the Civil Rights movement and other global freedom struggles.
Historically, I learned in speaking to Rachel, social justice and religion were always bound up in one another for black people. The role of the church in the Civil Rights movement cemented it as a driving force of social activism, she said, but her mother’s legacy goes back further than the Movement, and intrinsically welcomes people of all races, religions, and walks of life.
I found a sort of kinship with this. As I grew in my spiritual and my political practices, much like Freeney Harding, I realized I couldn’t have one without the other.
*
After I speak to Rachel, I visit the African American Heritage Museum in DC, where I see pottery made by enslaved people with what looks like the letter t scratched in them. The inscription says the mark is a symbol of the connection between the spiritual and material worlds.
In front of this artifact, I understand in a new way that the manner in which enslaved people adopted Christianity made perfect sense because their indigenous religions had always involved creativity and new ways of imagining the divine. It reminded me of what Rachel Harding called “the African sensibility of gathering things in rather than taking them out.”
A creative spirituality was my birthright; it didn’t make me weird, and it was certainly nothing to be ashamed of.
Rosemarie confirmed things that I already knew, but which I didn’t have the courage to trust. Because of her, an expansive spirituality that didn’t leave out any part of the self and that included a commitment to social justice, seemed valid. These days, shame doesn’t lurk at the edges of my beliefs. But it is a process.
I live with the questions, knowing that my spirituality is an act of creation that is steadily being found and woven, my own tapestry.
Joy Notoma is a freelance writer and journalist who lives in transit between New York, Benin, and northern France. She writes about the emotional landscape of migration, spiritual freedom, and topics related to black womanhood in a global context. Her essays and reporting have appeared in Longreads, Zora Mag, Al Jazeera, Huff Post, CNN International, and Quartz Africa. You can find her on twitter @joyinthestillness.
After I left my family’s religion, I was, for better or worse, searching for a blueprint, a model I could trust, which felt familiar enough to be safe, yet bold enough to be revolutionary.
After I left my family’s religion, I was, for better or worse, searching for a blueprint, a model I could trust, which felt familiar enough to be safe, yet bold enough to be revolutionary.
After I left my family’s religion, I was, for better or worse, searching for a blueprint, a model I could trust, which felt familiar enough to be safe, yet bold enough to be revolutionary.