“Every story has a shape, you just have to figure out what it is and then let it be that shape, man.”
“I am inspired by other bilingual writers, other writers from smaller—I mean in size, not richness and depth—literary spaces.”
“I come from a culture that deifies the established and gatekeeps everything on their behalf. So it makes me glad that there are in fact spaces in the world where professional youth is celebrated.”
“Maybe being in a disorganized, overstimulated state of mind helped me evoke the anxiety of being on the internet while undergoing a process of ruthless self-evaluation.”
José Vadi’s work for Catapult magazine was unlike anything I’d encountered before. His essays are embodied and imbued with musicality, experimentation, play, and risk. After editing and publishing his essay “Getting to Suzy’s,” an on-the-ground examination of life in San Francisco amid rampant gentrification, I invited José to submit more work. And after publishing two […]
“Good things happen when you keep at it.”
“Although my main characters find themselves in difficult circumstances, they are not passive. They resist, confront, and sometimes arrive at moments of transcendence.”
“My stories often start with a feeling that unspools somewhere deep inside.”
“The boundaries of my identity shift depending on which language I speak and operate in.”
“Speculative fiction at its best is outlandish at first glance, but ends up feeling immediate. That challenge is often what gets me writing—I want to take an absurd premise and see how deep it can go.”