José Vadi’s work for Catapult magazine was unlike anything I’d encountered before. His essays are embodied and imbued with musicality, experimentation, play, and risk. After editing and publishing his essay “Getting to Suzy’s,” an on-the-ground examination of life in San Francisco amid rampant gentrification, I invited José to submit more work. And after publishing two […]
Of all the things that have come and gone in my life, I wanted this one thing, just one: to be a writer.
No one else can judge your practice. You must believe in the work that is in front of you, taking shape before your eyes.
Morrison understood that the future is animated and expressed through us.
“The conversation between the past and the present in New York is always kind of ambivalent.”
“I naturally gravitate toward writing about the illness and the body.”
“I aim to tell entertaining, partially personal, partially data-based stories.”
Catapult celebrates its newest book with readings and a panel discussion.
“I wanted a way to talk to readers the way that I can only talk to my wife.”
Catapult staff members share their current reads