Don’t Write Alone | Interviews

What We’ll Remember: An Interview with Debut Author Kristina Gorcheva-Newberry

“My stories often start with a feeling that unspools somewhere deep inside.”

Dance of the Happy ShadesThe Blue FlowerHuman VoicesThe Beginning of Spring

What Isn’t Remembered

The Southern ReviewZoetrope

What Isn’t RememberedThe Orchard

Christine Sneed: is your first book. Would you say a bit about the experience of getting here—for example, how long it took to write these stories, and besides the contest, were there other contests you submitted to? Did your agent also send out this collection?

Timber Creek Review

What Isn’t Remembered

CS: Last year, as mentioned above, you sold your first novel, , which will be published next March. Is it the first novel you’ve written? Tangentially, both and include Russian characters who at times confront extreme physical and emotional hardships before and after perestroika. Do you see as a natural companion to the stories in your collection?

The Orchard The Cherry OrchardThe Southern Review

The Orchard

CS: Russian is your first language, but I believe you write fiction in English. How long has it taken you to reach your current level of impressive fluency? (Nabokov comes quickly to mind as a native speaker of Russian who also sometimes wrote in lyrical and playful English.)

CS: Many of the stories in are intensely romantic, are darkly comic, and also feature elements of magical realism. I know you read widely and are very familiar with Gogol, Chekhov, and Tolstoy, to name a few of the most influential Russian fiction writers. Who else do you count among the writers who inspire you?

CS: Musicians populate some of your stories, and classical music is especially important in the title story, which focuses on a former pianist, Mana, whose husband, Victor, still makes his living as a cellist. Are you a musician or have you studied music? I had the sense as I read this collection that music is as important to you as a writer as literature is.

To the Lighthouse

CS: There’s a striking sensuality to many of your characters, a lust for life as well as for the flesh of a lover. Writing sex scenes is difficult for many writers, but you’re very adept at it. Do you have any advice for writers who struggle to write good sex scenes? And who are the writers you’ve learned from in this regard?

The Bluest Eye

CS: When you start a new short story, do you begin with a character, an image, or an idea for a scene set in a particular place? Do you write several drafts, or do you tend to rewrite as you go?

CS: What is something you’ve learned in the last year about publishing your first two books that you’ve been surprised by?

CS: What are you working on now if you don’t mind sharing a few words about it?