In this five-part column, Hannah Howard explores the senses from a craft perspective.
In the second installment of her column, Megan Pillow examines a short story by Carmen Maria Machado to demonstrate how some of the best examples of contemporary writing craft can be found in writing about sex.
“I know that when I’m really writing, when I’m really, really lost in a sentence, I forget I have a body, I forget what time is. I forget to eat.”
I had one male audio engineer in the room with me, politely waiting to hear me record a graphic essay about youthful sex.
In the fifth installment of our Tarot + Craft column, Sarah Elaine Smith gives advice to a writer who is growing tired of working on their manuscript.
In the second installment of her column, Kate McKean tells us all about the rights and subrights that could appear in your contract when you sell your book to a publisher.
Let’s give answering this difficult question a shot.
You cannot grow, or heal, or whatever it is we’re trying to achieve when we write though trauma, by distancing yourself from your own pain.
In the first installment of her new column, Megan Pillow shows us how some of the best examples of contemporary writing craft can be found in writing about sex.
“I always battle with the realization that the stuff I write doesn’t need to exist, and I wonder how many people actually want to read the horror and speculative fiction that I write.”