A space has been created by this unflinching journalism, this unabashed Instagram memoir.
I believed I had been nurtured, like a lamb, for one purpose: Mine was to be thin.
Each night, I faced my fear. Again and again, I went to bed.
I could only acknowledge my thyroid condition from sly, sideways angles—a hobbit stealing from a sleeping dragon’s hoard.
And does asking these questions make me a good mother?
Not-great tattoos remind you that you are a constantly evolving human—that your definitions of beauty and happiness may change form.
We’ve spent quarantine in faulty mirrors, sparking negative feedback loops.
My childhood rat tail was a lesson on the borders of class and gender.
There—the small red cut marks on the knuckles, which any bulimic could identify as those made by the teeth when finger-inducing vomiting.
Like Jazmine Sullivan’s “The Other Side,” a song from her latest EP, Heaux Tales, I saw a life outside the confines of conservatism—the length of my skirt and the policing of what I was allowed to say and do.