I know I’m the kind of writer who has to trick himself into writing, into making the effort to find something to write about.
Choosing one life means missing out on another; it is not possible to be everywhere all at once, to do everything, to be everyone.
The oracle part sounds mysterious, but it just means drawing cards from a shuffled deck and treating the results as an answer key for generating new writing.
In this interview, Ploi Pirapokin talks with Kate Folk about her new book, ‘Out There,’ the importance of humor, and the experience of publishing a short story collection.
As I got better at articulating what customers should read and why, I was becoming equally capable of articulating what kinds of stories I wanted to write.
I expected that inhabiting the roles of both the author and the narrator at once would bring me closer to the text than ever, in a way that might feel uncomfortable.
After contact, you may feel exposed, raw, tingly. Learn about flash nonfiction forms and what to do if you want to write flash of your own.
In this interview, Ruth Joffre talks with Melissa Febos about her new craft book, ‘Body Work,’ the therapeutic effects of writing and reading, the ethics of writing about other people, and more.
It’s a bitter irony, courtesy of capitalism: writers working as writers to support the writing we are too spent to do.
Maybe I’m just not a writer who’s meant to work in peace and quiet, as lovely as that sounds.