In our seven years together, we’ve thrived on routine. We’ve done long-distance before, but never quite like this.
You’ve Got Mail.
want
10 Things I Hate About You
I can see the countdown ticking before me like the days until Christmas in Love Actually. For all the film’s faults, I’ve always been impressed with how far the characters are willing to go for love: going door to door on a dodgy London street, evading security at a crowded airport, buying a one-way ticket to Wisconsin with a suitcase full of condoms.Colin Firth learns Portuguese to propose to the woman he loves, for Christ’s sake. I could at least figure out how to get delivery to a quarantine hotel room in Taiwan. But I would need Terry’s help.
*
It’s Valentine’s Day and one day before our release from quarantine. The air outside smells like gunpowder and cigarette smoke. There were fireworks and a lion dance on Chinese New Year that paraded around the neighborhood, but the only sounds now are of confetti being swept into a metal pan and the beating of my heart.
“I need a favor,” I text Terry. He’s already agreed to help ferry a food order I purchased to Meghan’s door, but he doesn’t know yet that I intend to deliver it myself.
“You can only leave your room when you check out,” Terry writes back, doubtless vexed that we’re rehashing the protocol he went over when we checked in. “After you check out, you can’t return.”
“But it’s the last day of quarantine,” I insist. I’d just finished When Harry Met Sally, where, in the final scene, Harry races across New York on New Year’s Eve to profess his love for Sally. It’s not as if Harry sent a proxy. Without Terry’s permission, the dinner felt suddenly pointless. What good is a romantic gesture if you can’t be there to perform it yourself?
A few minutes later, my landline phone rings, and I pick up.
“Just go,” a voice says in English. “No one will notice.” It’s Terry.
“What do you mean?”
“Government tracking is not all that high-tech,” he says. “It can only tell if you leave the hotel, not if you go to a different room.”
“So does that mean—” I stop myself. Could I really have been able to see Meghan this entire time? How could he have possibly not told me this before? My mind goes blank. I want to shout about injustice: that being in love means taking risks, or that some rules are meant to be broken, but Terry cuts me off.
“But just to be safe,” he says, “go over after midnight.” As if some magical spell will by then be broken.
*
I peek out across the carpeted hallway and hold my breath. One foot past the threshold of my doorway, then two. I look back at my room, suddenly worried about a key card to get back in, but remember that we’d never been issued one.
“What are you doing here?” Meghan asks. Her voice is full of surprise like in the movies, but also a sense of menace that I’m not expecting.
“It’s okay,” I tell her, “Terry said I could be here.”
“But quarantine ends tomorrow,” she says. Meghan had never considered leaving the room. I married a rule follower, who would have been mortified at the thought of getting caught.
“I thought you’d be happy to see me.”
“I am,” she says, rubbing sleep from her eyes. “But what’s a few more hours?”
I ready myself for my best Billy Crystal: “When you realize you want to spend the rest of your life with somebody, you want the rest of the life to start as soon as possible.”
“We’re already spending our lives together,” Meghan assures me. “Even if they’re sometimes apart.” She smiles. “Why do you think I’m here?” Her grand gesture was coming to Taiwan in the first place. It was enough for her to be in this hotel for two weeks, halfway around the world, with me.
She opens the door wider. There are no triumphant reunions or exasperated tears or Whitney Houston crooning in the background. But that’s not what our relationship has ever been anyway. It’s the much more mundane compromises—not the over-the-top displays of affection—that have been the foundation of our love story.
I walk into the room. The layout is slightly different: desk pushed up by the door, her bed against a large window overlooking the road. I’m certain the room is bigger than mine but manage not to say it. Meghan takes my hand in hers, leaving the food in a bag on the doorstep behind me.
Daniel Tam-Claiborne is a multiracial essayist and author of the short story collection What Never Leaves. His writing has appeared in Literary Hub, Off Assignment, The Rumpus, Huffington Post, and elsewhere. A 2022 NEA Literature Fellow, he has also received fellowships and awards from the U.S. Fulbright Program, Kundiman, Writing By Writers, and others. Daniel holds degrees from Oberlin College, Yale University, and the MFA Program for Writers at Warren Wilson College, and is currently completing a novel set against the backdrop of contemporary U.S.-China relations.