Baking was solely Mom’s domain, I believed, and cooking for her was mine.
This is Grief at a Distance, a column by Matt Ortile examining his grief over his mother’s death in the Philippines during the Covid-19 pandemic.
idk what I’d make with it thoughI’m more a cook and less a baker.
you could become someone who bakes
Also I am grieving
Scream
I’ll just have to bake more oftenEither I follow Mom’s recipe perfectly or not at all.
Times
Mom relished the dinners I made for us two—and us three, once Dad joined us in Las Vegas from Manila. As I grew, so did my repertoire, with the help of the Food Network and Trader Joe’s. I was proud that, even at a young age, I could provide for her in my own way. Among friends, Mom liked to say she wasn’t a cook, “but my son is the chef.”
Mom was someone who baked. Baked in the past tense because she fell out of the habit. She transitioned to “healthy eating” after my grandmother died in 2011. Lola was in her early eighties; she lived for a while after her breast cancer diagnosis—fifteen years, I think. Mom only had five years after her own diagnosis and died in 2020, at sixty-one, at home in Manila. Once she lost her mother, Mom began to abstain from sugar. Dairy, red meat, and salt too. Her diet became low-calorie, low-fat, low-flavor. Dad would whisper over the phone that her meals were fibrous but bland. Food for the gods was out of the question. She believed this would help her avoid the same fate as Lola, would delay her genetic inheritance.
We all mourn our mothers differently. For my part, I have gained fifteen pounds since Mom died. As I write this, I’ve a bowl of cookie dough chilling in the fridge. An overnight rest period solidifies the fats (the dough will hold its shape better) and allows liquid to redistribute throughout the dough (the cookies will have crispier edges and chewier centers). In the absence of a teacher, I learned this bit of science from Bon Appétit.
Mom didn’t teach me how to cream butter and sugar, to temper chocolate, let alone to feed the gods. I can hear her say, “You never asked! ’Di naman kita pipilitin.” Baking was solely her domain, I believed, and cooking for her was mine. It seemed the least I could do. As she cut a path to our American Dream, I was the one to feed her—pastas, salads, paninis. (I didn’t care to learn her recipe for pancit molo or, if she had one, chicken adobo.) I was my mother’s immigrant son, her little chef, providing for her, doing essential work. To me, baking seemed less important, icing on the cake. For cravings, we had Krispy Kreme.
But now, I am becoming someone who bakes. Cakes, scones, soufflés at midnight risen by whipped egg whites and the dread of another day working where I sleep. My beloveds have encouraged my new coping mechanism. Over the holidays, Alanna gifted me an embroidered apron that said “Cheffieu,” the name she gave my culinary alter ego. She and Krutika were forgiving when we made Christmas dinner together, when I couldn’t help but backseat-cook. To humble me, Krutika said, “You’re acting like my mother, not yours.”
Since the pandemic began, I have yet to visit the Philippines. I was not there when Mom died and have not been back to help Dad sort through her things in their townhouse. He hasn’t touched her side of their walk-in closet, but he’s organized her home office, across the third-floor landing from his. I hope he found her cookbooks and set them aside for me. I don’t expect that the acquisition of her recipe for coconut macaroons will finally fill some emotional void. Actually, I’m not sure what to expect once I go home. A deeper well of grief, perhaps, a confrontation with the inarguable facts that she is not just working upstairs, or at Pilates, or at brunch with friends; that she is not here.
Before Mom died, one of the last things she said to me in person was, “I know I don’t have to worry about you.” I think she meant that I know how to feed myself, to take care of myself whenever she is not here. Who taught me how to cook? She did, in a way. I took care of us both how I could: a dinner waiting at home, report cards with straight As, a half dozen glazed donuts to say sorry whenever I was selfish, and assurance that I could navigate this world without her.
After she and Dad moved back to the Philippines, and as I built my life in the US, it was one of my many motivators: Prove to Mom that you’re in good hands—your own. I’ve secured housing, employment, and a chosen family not only for my benefit, but for her peace of mind. These things have been my constants, my ballasts as I grieve, though they add a strange layer to my mourning. On the surface, not much has changed. I have not yet known Manila without her, have remained in my New York that she’s never seen. I still write at the same cafés, drink at the same bars, and make the same Neiman Marcus cookie whenever I am hit by the craving or the sadness.
Now that she is gone, I am the one who bakes.
In grief, I am told, we grow. We rise to the occasion by filling in the gaps our beloveds have left. If needed, we become breadwinners, caretakers, counsel to those who knew them. For the most part, I have been shielded from the responsibility of loss. Mom ensured a tidy exit; Dad took care of most else. Still, I can feel my molecules shifting, adapting to a world without her. My desire to reclaim her old habits may be a symptom of my fear—fear that my next chapter, this next arrangement of my atoms, will have no trace of the woman I love most in the world.
But even in her absence, she shapes who I am. I’m learning to cope, to summon strength from sources other than her. From Dad and my friends, from my routines and my work, from the Mom in my heart if not Mom herself—which is to say, from myself. Loss has been a guide for me, for many of us, since the start of 2020. It is a difficult thing to fight, perhaps not something one overcomes. The pain still lances through me when I least expect it, in the middle of editorial meetings, at dinner with friends; it is no less lacerating when I do expect it, alone with her photographs and no witness at home.
But to work with that pain, to care for my heart and train it how to endure—perhaps that is the growth in mourning, how one finds new capacities, new contours to one’s self. What else defines our boundaries if not negative space? Even at such a distance, the grief hurts. It may not wane. I take its force as a reminder that I am alive. I have this life my mother gave me, this life I sustain in my own hands. Now that she is gone, I am the one who bakes.
My first weekend with my new KitchenAid, I realized, was Undas. That’s what Filipinos call the two days after Halloween: All Saints’ Day and All Souls’ Day. Observance traditionally calls for family reunions at the graves of our dead. We bring gifts, the usual flowers and food. Before I immigrated to the US with Mom, I spent many afternoons with the Ortile clan at the cemetery where my paternal grandfather is buried. It didn’t occur to me then that I’d have to make such pilgrimages for my parents, let alone Mom. Her ashes are now interred with her father’s, at a columbarium near Dad’s and her townhouse. I’ve been to visit before—with her, of course—but I don’t know how to get there by myself. I’ll have to learn.
At Halloween, perhaps my taste buds had more foresight than I did, craved something of Mom’s making. The cookies tasted just as she made them. For a moment, I let myself believe they were sent from her, from some celestial address in the great beyond. It feels that way whenever I bake, whatever I bake, whether it’s clafoutis in the style of an ex-boyfriend or macaroons with pistachios I know she would’ve loved. When I feed myself, I feel her near.
I like to think she’s baking again, making food for the gods.
Matt Ortile is the author of the essay collection The Groom Will Keep His Name and the co-editor of the nonfiction anthology Body Language. He is also the executive editor of Catapult magazine and was previously the founding editor of BuzzFeed Philippines. He has received fellowships from the Sewanee Writers’ Conference and MacDowell; has taught workshops for Kundiman, the Los Angeles Review of Books, and PEN America; and has written for Esquire, Vogue, Condé Nast Traveler, Out magazine, and BuzzFeed News, among others. He is a graduate of Vassar College, which means he now lives in Brooklyn.