My grandmother once told me that bringing bread into a home means that its residents will never go hungry.
I am not half of anything. I am only me, a single whole with multiple truths.
All that mattered, we told ourselves, was what we saw when we looked in the mirror, what we saw when we looked at each other.
Parents ask when their child’s teeth will go back to normal. Who has the heart to tell them never?
I’d become so successfully covert that the idea that I stuttered sounded more like an unfounded opinion than an incontestable truth.
The film contains a pantheon of archetypes, all of them represented in these Indian Panjabi women.
I privately couldn’t get over the fact that she’d even felt comfortable speaking to me that way.
All I knew was that here was this woman who looked like the community I loved and interacted with.
Halmoni didn’t tell me she loved me. Her love could be seen in the work of her hands.
The play asked suddenly familiar questions: Why all this suffering? Is life really beautiful? How are we supposed to go on like this?