In a city made up of many cities, spread out, like tiny countries, ascribing their influence is a lot like trekking through a tiny country of your own.
On finding beauty in Houston amidst the ugliness, and what the city stands to lose from increasing gentrification.
Montrose was unofficially codified as the nexus of queer life in Houston. If you held a map to the wall, I could tell you how we came to be on those streets.
There will be as many different iterations of this storm, and the ones to come, as there are Houstonians. And we have to hear them—they’re what will determine our map for the next one.
In Houston, as with everywhere else, the arts serve as tiny lifeboats—and sometimes, if we’re lucky, we all find ourselves floating together.
If traditions like the rodeo can accommodate Houston’s diversity, whole new traditions will be formed—leaving us with something even better.
We’d made a connection across tables, generations, tongues, our own tiny blip of transcendence. Holiness in the noodle bar.
It’s a space where language is manipulated and contorted and pulled and borrowed. It sounds like everywhere and anywhere else.
On a fast-growing city, food as culture, and why you can’t talk about Houston’s cuisine without talking about race.
You’re in the city, but you aren’t. You don’t have to spend any money. No one’s asking about your documentation. You don’t have to do much at all except for exist, and open your eyes.