Nature is never obedient. It rallies forward. This is the reality on a farm: The bounty comes all at once.
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Money creates distance, just as politeness creates distance. But bartering is contact. In making the agreement to trade, you share the story behind your tomatoes. That they’re heirloom. That they were seeds brought back from near extinction. That they’re dry farmed in your own backyard. That they made it through summer fog.
When I give you the tomatoes, you know their story. You ingest that story into your body. You are part of the terroir. You are part of my terroir. I am part of yours, now.
Think, think, think of how money creates a hierarchy. Rich, middle class, poor. Affordable and unaffordable. The haves and the haves nots.
Money disguises dependency. Money makes a rich person feel like they have all the power. That they don’t have to depend on anyone, for anything. What do we do in the face of this power? What can we do, other than protect ourselves from each other?
Think of how money makes it so the story ends—there is very little narrative behind the thing you bought—what do you know about its life? What do you know about mine? And do you see me?
I thought urban farming was a form of self-reliance. My backyard farm is—was, continues to be—a series of experiments. And like with all laboratories, hypotheses are dashed or proven, and discoveries realized.
My hypothesis: My farm would sequester me away from the world.
What it did was help me connect with other people, even while licking my wounds.
Hypothesis disproved.
My new hypothesis: My farm connects me to the world, the ground, its air, its water, its fauna, and people. In an introvert-kind-of-way. Which is to say, my-kind-of-way.
Hypothesis proven.
You see, back in the days when I worked in tech, I built a wall around my tenderness. I started dating my current partner (who has happened to know me since those days) and he told me to please not do that to myself again. To not put up a wall.
How else can I protect myself, I asked.
Still, put down the wall I did. And I stayed at home, keeping my tender self protected.
Walls are not great things. Robert Frost wrote a poem about Mending Walls. Walls can’t keep everything out. Also, what are you keeping in? Also, there are some people out there who need to read poems about walls. #shade
But here, in this garden, my tenderness had a place—among the eggs and the cherries and the lemons and the tomatoes and the produce and the plenty. On this land, I produced through my story, about being destroyed and tough and tender, and began to tell it in safety. Plants have cell walls—made stronger in the wind. Plants are also tender. Plants need an ecosystem. They need other plants.
So do I.
I wrote a book about some of this recovery while farming. This column is a continuation of that story. What happens after a stroke? What happens after divorce? What happens after postpartum depression? What happens after loss? What does this life look like? Feel like?
Seek safety. Seek love. Seed nourishment. These are the basic needs of humans, the basis from which stories come.
Author of Tell Me Everything You Don't Remember (Ecco/Harper Collins). Her short fiction and essays have appeared in ZYZZYVA, Guernica, The Rumpus, The New York Times, and BuzzFeed, among other publications. Her novel is forthcoming from Ecco / Harper Collins. Beekeeper. She/her.
I have no desire to live forever. But what I would give to return to adolescence and do it over, even once! To kiss who I wanted to kiss, not settling for her brother.