Carving Out a Vietnamese Identity in the New South
For Asians in the South and everywhere, there is still narrative scarcity.
This is Finding Little Saigon, a column by Kim O’Connell on Vietnamese identity and culture in America.
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In 1996, I moved to Arlington at the age of twenty-six, attracted to the diverse community and the vibrant bar and restaurant scene, which still included a few Vietnamese establishments left over from the Little Saigon of my youth. By that time, most of Arlington’s Little Saigon establishments had moved a few miles west to the Eden Center, a Vietnamese commercial center in nearby Falls Church. If this was Virginia, I thought, I was happy to become a Virginian.
Yet contemplating the loss of the original Little Saigon, I thought about how that place had held such importance for my mother. This made me want to write about it, as a way to capture both my memories and community memories, too.
The majority culture, according to Vietnamese author Viet Thanh Nguyen, enjoys “narrative plenitude”—meaning their stories are widespread and dominant. For Asians in the South and everywhere, there is still narrative scarcity. For the Vietnamese in particular, the stories told about them are so often about the war, a narrative of losing and loss. But there is so much more to say.
Ever since their arrival here after the war, Vietnamese people, along with other immigrant groups, have been transforming Virginia and the rest of this region into what is now commonly known as “the new South.” This is a region where traditional southern cuisine—itself a conglomeration of African, European, and Native American foods—is now regularly infused with Asian and other cultural flavors at dining tables throughout the South. You can now get a steaming bowl of pho, a North Vietnamese dish that migrated first to South Vietnam and then all over the world, in Durham, North Carolina; in Sumter, South Carolina; in Tuscaloosa, Alabama; and even in the mountain town of Galax, Virginia, population 6,400.
For the Vietnamese in particular, the stories told about them are so often about the war, a narrative of losing and loss. But there is so much more to say.
Currently, according to the Social Explorer database, more than 545,000 Virginians are of Asian descent, representing over 6 percent of the state’s population; of these, ten percent are Vietnamese. University of Virginia researchers have found that not only are Asians the wealthiest ethnicity in the United States, they are the wealthiest in Virginia as well (although Asians are the most economically divided group).
But without stories that reflect the complexity of Asian experiences, thinking of Asians only as wealth earners is reductive. Asians are still often marginalized and mythologized as “model minorities”—effectively erased. “Even in assertions of the ‘New South’ as a modern, industrial, and cosmopolitan space, there is little mention of Asian migration,” write editors Khyati Joshi and Jig Na Desai in their book Asian Americans in Dixie.
The “New South” as a concept, if not a myth, is often simply aspirational. Traveling through the Virginia countryside, I often see Confederate flags. In every election, northern Virginia and other urban areas vote bright blue, while the state’s vast rural areas vote red, areas that a John McCain advisor once called “the real Virginia.” Although some fraction of the Unite the Right rally-goers were certainly from out of state, Virginia is still a place where Klansmen felt they could stage a threatening and violent protest and feel they were among brothers. It’s a legacy that I must cop to if I’m going to continue living here, a necessary first step towards a future that makes amends.
One way to do this is to understand and elevate people’s lived experiences. I find myself seekingout stories, writing both for the Vietnamese community and as a member of this community. I do it because I think it’s important to balance the narrative ledger in favor of immigrants whose lives have long been undervalued. Maybe it’s a bit of atonement, too, for the bias and blind spots that come with my white skin. Back in Little Saigon, I didn’t understand the language my mother and others were speaking. I still don’t understand the language, but I am working harder to understand the stories.
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On a mild spring evening, I’m looking for a Thai restaurant in a suburban strip mall outside of Richmond, Virginia, and I’m running late. Although it’s only 100 miles south of Washington, DC, Richmond has sometimes seemed, to me, like a whole other world. With its Confederate statues, its sweet tea and biscuits, and its slower pace, on the surface it seems like the South as I imagined it, years ago. Yet here, as elsewhere, Richmond has been transformed by its newcomers. I’ve come here specifically because, after I’d met one of the organizers, board members of the Asian American Society of Central Virginia have generously invited me to dinner.
Finally, I find the restaurant, and as I walk in, I am stunned to see more than twenty women sitting around a long table. They all turn their heads in my direction at once, and my contact, Zeistina Khan, jumps up to welcome me. I’ve barely put down my purse when Zeistina asks me to introduce myself and talk about my Asian heritage. There, before a table full of strangers, I tell them my story, which is not just my story but also my mother’s.
I tell them about how my parents met during the war and how my mother emigrated from Vietnam to here. I tell them how lonely she often felt, how hard she tried to be both American and Vietnamese. I tell them about how many times I’ve tried to feel more connected to my mother’s culture, and to feel more connected to her. I tell them all this until my voice catches, and I can’t tell any more.
Then, for the next three hours, we go around the table as each woman, originally from Vietnam and China and Indonesia and Cambodia and Laos and Pakistan and many other places, tells their own stories of leaving their homelands and establishing new lives in Virginia. There, over plates of noodles and sweet Thai tea and bowls of sticky rice that remind me of home, I think, this is the traditional Southern dinner, redefined. And no one can tell us that we don’t belong.
Based in Arlington, Virginia, Kim O'Connell writes about history, nature, culture, design, and food, and especially enjoys when those things intersect. Bylines have appeared in The New York Times, The Washington Post, Huffington Post, Ladies Home Journal, Atlas Obscura, and other national and regional publications. www.kimaoconnell.com