My Parents’ Country Doesn’t Exist. I Moved There Anyway.
I was enjoying what exists of this place today—be it Croatia or Yugoslavia—without the need for comparison.
III. Me
The center of Croatian life in Queens, New York, is a church with the ominous name of Most Precious Blood. Although now we’ve been promoted to the main hall, when I was a kid, the Croatian community held mass in the basement. At one point, the church stored its extra statues in the hallway by the bathroom. This meant that sometimes the lights would flicker on, and all of a sudden Jesus would be watching you piss.
I went to mass with my mother, sometimes multiple times a week. Occasionally, we went to church parties where the women organized a potluck and the children’s folklore group provided entertainment. Back then, the church’s flag had a checkerboard starting with a white square. The Croatian government changed the official checkerboard to start with red because the other version was used by the fascist regime during World War II, but my church took a few decades to replace their flag. We’re a relatively moderate community; other diaspora churches wear their fascist affiliations more explicitly.
Growing up in this community always felt like wearing ill-fitting pants. After years as a church kid, I assumed Croatia would never have space for queer leftists such as myself. I assumed Croatia was full of men like my father.
When I went away to college, I was so isolated from my culture that I began looking for other Balkan people anywhere that I could find them, including online. I met people through Tumblr and Twitter that navigated being Croatian in a way that showed me there were roles beyond the ones my traditional community wanted me to occupy. I met other diaspora children that had moved back. When I moved to Zagreb, some of those people I met through Twitter became my closest friends.
Croatians living in Croatia often laugh at émigré Croats. Many members of the diaspora ignore twenty-first-century Croatia in favor of a pastoral idyll that never existed. This vision is sometimes outright dangerous as the Croats outside of Croatia wield considerable political power in this country. They have their own representatives in the parliament, they can vote in major elections, and donations from communities abroad fuel the most conservative elements in Croatian politics. Although their influence in politics has diminished since 2000 and many politicians no longer court émigré votes or wallets as aggressively, many people in Croatia still resent the sway they hold. The reactionary nostalgia of citizens who aren’t even living in the country is a potent political force, but it’s also pretty goofy; conservatives abroad had a collective meltdown in the Facebook comments of a news article announcing a new Chinese restaurant.
My friends in Zagreb and I have carved out a new way of existing in our new-old home, but I’ve also had to let go of some of my own misplaced nostalgia. I joked about the people who would post in the expat Facebook group about moving to Croatia in search of “family values,” but wasn’t I trying to use the country to hunt for my own family? I was obsessed with finding out more about the strong mother that existed before she met my father, but I realize now that her strength never went away.
My mother had the strength to protect me from the worst of my father’s attempts to control my life. She had the strength to rebuild her life in New York City, a city she only moved to so that she could be with a man that brought her so much pain. She’s become such a New Yorker that she yells “I know more about this city than you” at tour-bus scammers whenever we have to venture into Midtown Manhattan.
As for my father, since moving, I have not come to revelations that have magically repaired our relationship, besides the fact that we get along quite well when there is an ocean between us. Maybe that is enough.
Most of us who belong to diasporas, regardless of our countries of origin, have an unhealthy habit of projecting our own desires onto our home countries. We desperately need those homes to be places where we magically fit in. We want them to serve as playgrounds for self-discovery. But the old country moves on. The old country discovers new things and births new people and experiences new pains. It does not wait, hermetically sealed, for us to visit. We can try to force a whole country to reflect our vision, or we can accept the pain that comes with being a side character, one of many, and approach our home with an open mind.
We can try to force a whole country to reflect our vision, or we can accept the pain that comes with being a side character, one of many, and approach our home with an open mind.
My friends in Zagreb do not listen to the rural Istrian folk-pop I grew up with. At parties, they’re more likely to play Charli XCX and, as a joke, Balkan trap. I grew up hearing about the village halls that were the centers of my mother’s social life. However, since I moved, I spend more time in independent cinemas, in art galleries, and at Pride festivals. My extended family lives a few hours away by bus and I visit often, but I am too far away for the legacy of my parents to reach me. I am free to wander streets they’ve never seen, go for leisurely runs along the Sava, and write in cafés they might never visit. I am free to spend hours talking to new friends who make me feel as if I’ve known them forever, without concerned family members wanting to know where I’ve been.
This is a country that has a long way to go toward shaking off the ghosts of its past, but ironically, the ghosts of my own recent past have been quiet since I moved. Croatia may never have been my parents’ country. But it is mine.
Rebecca Duras is a freelance writer from New York City currently based in Zagreb, Croatia. Her essays have appeared in The Wall Street Journal, The Counter, and other publications. She writes about diasporic identity, the Balkans, and Anthony Bourdain. You can follow her on Twitter @ozzthegr8