The swastika on his sign is hand-drawn, a little uneven. Painted, not permanent marker. He made that thing himself. A Nazi crafter.
his
Medical
sweaternormal
what’s up with your FB post so random
tutor at center is a white supremacist
what????????? ??????????? !!!!!!!!!!!!!
video on FB of alt right demonstration he’s in it so, nazi
omg omg omg what in the actual fukkk stay away from him
know
ourNazi
Bright SweepEagle Son.Fresh March.
Mein Kampfomg is this tutor nazi?
yeahwe’re having lunch with him tmr.
them
Don’t you want more opportunities for you and your family? Those who are taking what is yours are linked by one black thread. Why should you suffer?
.
We want to be goodWe want to believe the right story, even if that story is a lie. It’s hard to accept that we’ve been fooled by people we were taught to pity. The truth has been there all along, staring you in the face. Once you know, you can’t turn away
We should have finished the job when we had the chance
are u going thru with lunch with tutor nazi?????? lee leeeeeeeeee :-O LEE NO LUNCH WITH NAZI omfg if i lived in the same city as u i would crash your work so hard grandma would b so pissed at u
All those people were murderers
Vermin.
“This looks good,” Theo says, drenching his fish in lemon. “I’ve never been to White Spot.”
The kind of people who, if you give them anything, they’ll take everything from you and then send you a bill.
He wrote so passionately about the recession—our generation, screwed from the get-go. He and I are the same age. We know that we’ll never get ahead, that we’ll need the inheritance from our parents to survive. We all know we’re paying rent on impossible futures. What opportunities are there? What are we working for? I’ll never be able to afford to retire like my parents have.
“Wow, almost December already,” Pat says. Under the table, she places her left foot on my right foot.
“Yeah, do you two have plans for Christmas?” Theo asks.
“Sure do, Christmas with my boys.” I notice Pat doesn’t mention her wife, Theresa.
Theo looks at me. “Lee, what about you? Heading home for Christmas?”
“I’m Jewish,” I say.
I watch his eyelids flutter, then quickly retreat. My knife and fork tip like drumsticks in my suddenly clumsy hands. He nods slightly and places another morsel of fish in his mouth.
We’ve allowed this to go on for too long. We’ve stood by while they repopulate.
Can humans communicate whole sentences through our eyes? Can our eyes telegraph more than fear, desire, exhaustion? I want my eyes to fill with the number of words of his I read on my screen. I want him to know that I know. I want to keep staring at him until he has no doubt. I thought I would be afraid to look at him steadily across a table, but I find I am now utterly calm.
Theo leans back, his hand settling around his water glass. He looks down at his plate, his face tilted diagonally downward, the posture of quiet contemplation. The light from the window slides in a clear pane across his cheek. He sits in silence. He still won’t look back up at me. Last night in bed with my laptop, and this morning on my way in on the subway, I fantasized about this moment. I saw the video of you with your swastika, I’d say. You are ruining the world.
“Welcome lunch,” he says at last. “What is this?”
I haven’t sat at a table with one of them since that night.
“Lee found your articles. She found your . . . blogs. You should be ashamed,” Pat says, and I think of how ridiculous she sounds, school marmy, scolding. I’m suddenly aware of how fragile, how tiny, our intervention is.
Theo’s eyes finally find me. “I see,” he says. “You’re a fan of my work.”
“No,” I say.
“I always welcome new readers.”
“You work with children,” Pat says.
“So,” he says to me. “What did you think of my arguments? It’s easy to set me up like this and be all righteous—‘oh, you’re a terrible person’—but what about an actual debate?”
“I’m not going to debate you.”
“That’s convenient.”
“You expect me to respond to what you wrote? That the Holocaust was a good idea?”
“Lee, you don’t have to—” Pat says.
“I write about what’s happening now. Look at the economy. We’re just saying the things other people are afraid to say. Too politically correct.”
“Politically correct?”
“You bring up the Holocaust like that’s an argument because you don’t want to have a real debate.”
“Oh my god.”
“Debate me, then. Debate me. What do you have to say?”
All the calmness I felt, the confidence, was short-lived. I’m back at the front desk of the center when I first recognized him. His gaze across the table is level and cool—there’s nothing I can say to this man.
“We’re here now because something in my writing rang true for you,” he says.
I shove my plate forward and fries fly into his lap.
“Well, I’m convinced,” he says, and gets up to leave. We don’t realize he’s left us with the bill until after he’s gone.
*
I never learned much from those college classes about the Holocaust. I just became sadder, with more facts. I never tried again. It was too large, too brutal, too complicated. I joked with Aaron that I’d gotten a minor in Grandma Studies. I donated my small collection of Holocaust memoirs and novels from the classes to charity. The metal maw of the donation bin beside the A&W near our parents’ house slammed shut, swallowing history.
Until I read Theo’s writing, wrapped in my quilt and the thickening tide of wine and horror, and realized they were back. Not even that, they had never gone away.
*
Back at the center, I go into my office. One of the other tutors, Jackie, is there. I log into my email and bring up the browser, find the video. Views: 12,302.
I watch it once more, on mute: the semi-circle of young men. The precise gymnastics of their lips, yelling in unison. The mirrored cop car windows in the distance. The seagull that whirls through. The red and black paint on the background of the world. The swastika, a twisted bit of geometry embedded in the city’s skin.
I copy and paste the link into an email and send it to the staff listserv.
I copy and paste the link into an email and send the email to my list of students’ parents.
For both, I write the subject Celebrate the Social Activism of Our New Tutor, Theo! to make sure they click.
Ten seconds later, Jackie says, “Holy shit, Lee.”
I pick up my bag and jacket and walk out into the hallway. Pat’s standing behind her desk at the entrance. Both of her hands are up in the air. She might be dancing.
“Hey! Hey!”
I speed up until I feel his hand on my shoulder. I spin around.
“What the fuck?” he yells. “What the fuck is your problem?”
Both his hands on my shoulders now. I back up.
“Are you fucking setting me up?”
Everyone’s in the hallway now, watching us. A little girl, a student, gawks at all the frozen adults. Jackie holds her phone up, filming.
“This is why,” he says. “Thisis why.”
“Why what?” I say it soft, a final dare.
Buzz Lightyear is sprinting down the hall toward us in his astronaut suit. Theo lets go of me, but I can still feel his hands, two hot imprints pushing down on my shoulders.
“Come on, Lee, come,” Pat says, her arm around my shoulders.
Pat pulls me closer. I have no weapon. I don’t even have words anymore. The neon lights flutter arrhythmic. Chest hollow, I turn and watch Theo stride through the glass doors. My last glimpse of him is his profile through the front window of the center, his checked shirt and perfect hair, clean lines against a backdrop of cement and passing cars, ranging out into the world.
Alex Leslie has published two collections of short stories, We All Need to Eat, shortlisted for the 2019 Ethel Wilson fiction prize and the 2020 Kobzar prize, and People Who Disappear, shortlisted for the 2013 Lambda Award for debut fiction. She has also published two collections of poetry, The things I heard about you, nominated for the Robert Kroetsch Award for innovative poetry, and Vancouver for Beginners, which was published in October 2019. Her writing has appeared in many journals, including Granta. She is writing a novel.