Akanksha Singh interviews Andrew Sean Greer about his new novel “Less Is Lost,” finding humor in uncomfortable topics, and the pleasures of a fairytale ending.
Not all feedback, even from a reader you hold in high esteem, will be appropriate for the story you’re trying to tell.
Instead of fighting myself tooth and nail to subscribe to a neurotypical writing lifestyle, I’m choosing to expand upon my weird brain’s strengths and abilities.
The success of a show often hangs on the writer’s ability to create a compelling sense of place. Use this prompt from classes instructor Alexander Aciman to imagine possibilities for your very own TV series.
In this conversation with Isabella Vega, Als discusses his new book ‘My Pinup,’ the nature of desire, and the vulnerability of writing.
Are you working on a novel for National Novel Writing Month? Check out this list of contests with cash prizes for unpublished and in-progress novels.
Alyssa Lo talks with Franny Choi about their most recent poetry collection ‘The World Keeps Ending, and the World Goes On,’ poetic forms, and speculative possibilities.
In defining your monster, you’re also building your world. By saying what the big, spooky creature can and can’t do, you’re eliminating convenient and easy plot mechanics your protagonist will inevitably exploit.
I don’t want to participate in pain’s colonization of myself. I don’t want to write.
“Write about the terrifying by writing about the alluring.”